Tubes and Transistors of 1947 to 1970 |
H.H.Scott American manufacturing |
American-made Scott High-Fidelity Devices.
Electronic Tube Technology from about 1947-1970. |
SCOTT 99 A (1953-1954)
American manufacturing
Mono Integrated Amplifier, 9 watts
6 tubes: 12AX7 (2), 12AU7, 6V6GTA (2), 5Y3.
Schematic
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SCOTT 99 B (1954-1956)
American manufacturing
Mono Integrated Amplifier, 22 watts
6 tubes: 12AX7 (3), 6L6GB (2), 5U4GA.
Schematic
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SCOTT 99 C (1957-1958)
American manufacturing
Mono Integrated Amplifier, 22 watts
6 tubes: 12AX7 (3), 6L6GB (2), 5UAGA
Schematic
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SCOTT 99 D (1959-1962)
American manufacturing
Mono Integrated Amplifier, 22 watts
Frequency Response: 20Hz to 30kHz,
THD: 0.8%.
Input: Phono MM: 3 mv
6 tubes: 12AX7 (3), 6L6GB (2), 5U4GA.
This is a complete control and power center incorporating the results of H. H. Scott's famous engineering leadership and skill. This amplifier is ideal for those who prefer a top-quality monophonic system now, and wish to expand to stereo sound later. Together with the LM35 Stereo-Daptor it also makes an excellent add-on system to existing amplifiers. Outstanding features include two low-level preamp inputs that enable you to use both a phono cartridge and tape head; extensive tape recording and monitoring facilities; and front-panel stereo expansion switch.
Schematic
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SCOTT 111 A/B (1947-1951)
American manufacturing
Mono Preamplifier
3 tubes: 6SQ7, 6SG7 (2).
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SCOTT 112 A (1947-1951)
American manufacturing
Mono Preamplifier
4 tubes: 6SC7, 6SQ7, 6SG7 (2).
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SCOTT 112 B (1947-1951)
American manufacturing
Mono Preamplifier
4 tubes: 6SC7, 6SQ7, 6SG7 (2).
Schematic
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SCOTT 114 A (1953-1956)
American manufacturing
Mono Preamplifier
3 tubes: 12AX7, 12AU7 (2).
Schematic
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SCOTT 120 A (1947-1953)
American manufacturing
Mono Preamplifier Equalizer
3 tubes: 12AX7, 12AU7 (2).
Schematic
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SCOTT 120 CP (1954-1956)
American manufacturing
Mono Preamplifier
4 tubes: 12AX7, 12AU7, 6BKQ7A, 6X4.
Schematic
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SCOTT 121 A (1953-1954)
American manufacturing
Mono Preamplifier
6 tubes: 12AX7 (2), 12AU7, 6AL5, 6BA6 (2).
Schematic
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SCOTT 121 B (1954-1955)
American manufacturing
Mono Preamplifier
6 tubes: 12AX7 (2), 12AU7, 6AL5, 6BA6 (2).
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SCOTT 121 C (1956-1959)
American manufacturing
Mono Equalizer Preamplifier
7 tubes: 12AX7 (2), 12AU7 (3), 6X4, 6AV6.
Dynaural Technical specifications:
Inputs: Three low-level (magnetic and tape head); 4 high level.
Front Panel Controls:Rolloff; Turnover; Input Selector; Dynaural; Range; Bass; Treble; loudness; Pickup Selector; Rumble Suppressor; loudness-Volume; Tape Monitor; Power. Dynamic Noise Suppressor: Electronic circuitry removes record and turntable noise; separate controls for low frequency and high frequency noise.
Tape Recorder facilities: Two recorder outputs; Monitor provisions; NARTB tape playback channel; High level recorder input.
Frequency Response: Flat from 19 cps to 35 kc. Hum and Noise: Hum 85dB below full output; 3.2 microvolts equivalent noise input on low level inputs.
Dimensions In Accessory Case: 13 1/2"w X 5"h X 9 1/2"d.
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SCOTT 122 (1960-1961)
American manufacturing
Stereo Preamplifier
14 tubes: 12AX7 (10), 6X4, 6AV6, EM84 (2).
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SCOTT 130 (1958-1960)
American manufacturing
Stereo Preamplifier
Frequency Response: 19Hz to 35kHz,
THD: 0.15%.
Input: Phono MM: 3 mv
8 tubes: 12AX7 (5), 12AU7 (2), 6X4.
This preamplifier has already won the reputation of being the best stereo control center available. HI FI & MUSIC REVIEW magazine reports that the 130 " ... has so much flexibility that it defies adequate editorial treatment." This unit bas separate Bass and Treble controls on each channel for accurate speaker balancing.
Schematic
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SCOTT 135 (1957-1960)
American manufacturing
Mono to Stereo Adaptator
Expand to stereo by adding the Stereo-Daptor and a new H. H. Scott monophonic amplifier to your present system. The Stereo-Daptor permits control of two separate amplifiers from a central point. A Master Volume Control adjusts the volume levels of both channels simultaneously. Special switching lets you play stereo, reverse stereo, use your stereo pickup on monaural records, or play monaural program material through both amplifiers at the same time. This gives you the full power of both amplifiers. No internal changes are required when used with H.H. Scott amplifiers.
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SCOTT 200 (1962-1964)
American manufacturing
Stereo Integrated Amplifier, 2 X 12 w
8 tubes: 12AX7 (3), 6GW8 (4), 5AR4.
Schematic
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SCOTT 200 B (1964-1966)
American manufacturing
Stereo Integrated Amplifier, 2 X 12 w
Frequency Response: 20Hz to 15kHz, THD: 0.8%.
SNR Phono MM: 57dB, Aux: 66dB
8 tubes: 12AX7 (3), 6GW8 (4), 5AR4.
Owner's Manual
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SCOTT 208 (1961-1963)
American manufacturing
Stereo Integrated Amplifier, 2 X 32 w
7 tubes: 6U8 or 6GH8 (2), 7591 (4), 5AR4.
Schematic
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SCOTT 209 (1958-1959)
American manufacturing
Mono Integrated Amplifier, 30 w
7 tubes: 12AX7 (3), 12AU7, EL34 or 6CA7 (2), 5U4GA.
The 30 watt output stage of this complete amplifier makes it ideal for less-efficient speaker systems or where the absolute optimum in performance is required. The unique Acoustic Level Control insures perfect operation of the amplifier with any speaker and in any room. A convenient front-panel switch facilitates instant expansion of the 209 to a Stereo system, together with the 135 Stereo-Daptor and a second amplifier. Important operating features include dual magnetic inputs; three-position scratch and rumble filters; and extremely high gain permitting use-with any phono cartridge or tape-recorder head.
Mounting Change Instructions
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SCOTT 210 A (1947-1950)
American manufacturing
Mono Integrated Amplifier, 18 w
10 tubes: 12SL7 (2), 6J5, 6SG7 (2), 6SQ7, 6L6GT (2), 5V4GT, 6SN7GT.
Schematic
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SCOTT 210 B (1950-1954)
American manufacturing
Mono Integrated Amplifier, 18 w
10 tubes: 12SL7 (2), 6J5, 6SG7 (2), 6SQ7, 6L6GT (2), 5V4GT, 6SN7GT.
Schematic
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SCOTT 210 C (1954-1955)
American manufacturing
Mono Integrated Amplifier, 18 w
10 tubes: 12SL7 (2), 6J5, 6SG7 (2), 6SQ7,
6SN7GT, 6L6GT (2), 5V4GT or 5U4GA.
Schematic
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SCOTT 210 D (1954-1955)
American manufacturing
Mono Integrated Amplifier, 18 w
10 tubes: 12SL7 (2), 6J5, 6SG7 (2), 6SQ7,
6SN7GT, 6L6GT (2), 5V4GT or 5U4GA.
Schematic
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SCOTT 210 E (1956-1957)
American manufacturing
Mono Integrated Amplifier, 27 w
10 tubes: 12AX7 (4), 12AU7 (2), 6AL5, EL34 (2), 5U4GA.
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SCOTT 210 F (1957-1960)
American manufacturing
Mono Integrated Amplifier, 32 w
10 tubes: 12AX7 (3), 12AU7 (3), 6AV6, EL34 (2), 5U4GA.
Schematic
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SCOTT 211 A (1948-1951)
American manufacturing
Mono Integrated Amplifier
10 tubes: 12SL7 (2), 6SG7 (2), 6J5, 6SQ7, 6B4 (2), 6SN7GT, 5V4GT.
Schematic
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SCOTT 212 A - Type 121A (1947-1950)
American manufacturing
Mono PreAmplifier 121A
6 tubes: 12AX7 (2), 12AU7, 6BA6 (2), 6A5.
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SCOTT 212 A - Type 220A (1947-1950)
American manufacturing
Monobloc Power Amplifier 220A, 18 w
5 tubes: 6L6G (2), 6J5, 6SN7GT, 5V4G.
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SCOTT 214 A - Type 120A (1948-1953)
American manufacturing
Mono PreAmplifier 120A
3 tubes: 12AX7, 12AU7 (2).
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SCOTT 214 A - Type 220A (1948-1953)
American manufacturing
Monobloc Power Amplifier 220A, 18 w
5 tubes: 6L6G (2), 6J5, 6SN7GT, 5V4G.
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SCOTT 220 A (1948-1953)
American manufacturing
Monobloc Power Amplifier 220A, 18 w
5 tubes: 6J5, 6SN7, 6L6G (2), 5V4G.
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SCOTT 222 A (1959-1960)
American manufacturing
Stereo Integrated Amplifier, 2 X 12 w
Frequency Response: 20Hz to 30kHz,
THD: 0.8%.
Input: Phono MM: 3 mv
11 tubes: 12AX7 (4), 6U8 or 6GH8 (2), 6BQ5 (4), 5AR4.
Schematic
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SCOTT 222 B (1960-1961)
American manufacturing
Stereo Integrated Amplifier, 2 X 13 w
Frequency Response: 20Hz to 20kHz, THD: 0.8%
SNR Phono MAGN LOW: 57dB, Aux: 80dB
Input Sensitivity: Phono MAGN LOW: 3mV, Phono MAGN HIGH: 9mV
11 tubes: 12AX7 (4), 6U8 or 6GH8 (2), 6BQ5 (4), 5AR4.
Schematic Service Manual
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SCOTT 222 C (1961-1963)
American manufacturing
Stereo Integrated Amplifier, 2 X 20 w
Frequency Response: 20Hz to 20kHz, THD: 0.8%
SNR Phono MAGN LOW: 57dB, Aux: 80dB
Input Sensitivity: Phono MAGN LOW: 3mV, Phono MAGN HIGH: 9mV
11 tubes: 12AX7 (4), 6U8 or 7199 (2), 7189 (4), 5AR4.
Schematic
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SCOTT 223 (1953-1956)
American manufacturing
Monobloc Power Amplifier, 18 w
5 tubes: 6L6GB (2), 12AX7 (2), 5U4GA.
Schematic
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SCOTT 232 A (1948-1953)
American manufacturing
Monobloc Power Amplifier, 32 w
5 tubes: 12AU7 (2), 1614 or 6L6 (2), 5U4GA.
Schematic
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SCOTT 232 B (1955-1956)
American manufacturing
Monobloc Power Amplifier, 32 w
5 tubes: 12AU7 (2), 6L6 or 1614 (2), 5U4GA.
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SCOTT 233 (1964-1966)
American manufacturing
Stereo Integrated Amplifier, 2 X 28 w
11 tubes: 12AX7 (4), 6U8 or 7199 (2), 7591 (4), 5AR4.
Schematic
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SCOTT 240 (1957-1959)
American manufacturing
Monobloc Power Amplifier, 35 w CLASS A
5 tubes: 12AX7 (2), EL34 or 6CA7 (2), 5U4GA.
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SCOTT 250 (1958-1964)
American manufacturing
Mono Power Amplifier, 40 w CLASS A
Frequency Response: 12Hz to 60kHz,
THD: 0.5%.
5 tubes: 12AX7 (2), EL34 or 6CA7 (2), 5U4GA.
The unique "Power-Balance" output circuitry of this amplifier results in performance equal to amplifiers of much higher power rating. Output transformer is of exclusive H. H. Scott design. Rugged 6CA7 output tubes are used, operating far below maximum ratings. Two 250's are ideal for use with the L30 Stereo preamp, combining to give stereo playback systems of unexcelled quality.
Schematic
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SCOTT 260 (1964-1965)
American manufacturing
All Transistors.
Solid State Stereo Amplifier 2 X 30 w RMS
Frequency Response: 20Hz to 20kHz, THD: 0.8%
SNR Phono MM: 55dB, Aux: 75dB
Input Sensitivity: Phono MM: 2mV.
Service Manual
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SCOTT 260B (1967-1968)
American manufacturing
All Transistors.
Solid State Stereo Amplifier 2 X 40 w RMS
Frequency Response: 15Hz to 30kHz, THD: 0.8%
Hum and Noise: 55 dB
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SCOTT 265 A (1953-1956)
American manufacturing
Monobloc Power Amplifier, 65 w CLASS A
10 tubes: 12AX7 (2), 6L6GC or 1614 (4), 6080 or 6AS7G, 6AM8A, 5U4 (2).
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SCOTT 272 (1960-1962)
American manufacturing
Stereo Integrated Amplifier, 2 X 37 w
15 tubes: 12AX7 (6), 6AU6, 6U8 or 6BL8 (2), EL34 or 6CA7 (4), 5U4GB (2).
Schematic
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SCOTT 280 (1957-1959)
American manufacturing
Monobloc Power Amplifier, 72 w CLASS A
11 tubes: 12AX7 (3), EL34 or 6CA7 (4), 6AL5, 6BX7, 5U4GA (2).
Schematic
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SCOTT 290 (1960-1961)
American manufacturing
Stereo Power Amplifier, 2 X 44 w
10 tubes: 12AU7 (2), 12AX7 (2), EL34 (4), 5U4G (2).
Schematic
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SCOTT 296 (1962-1963)
American manufacturing
Stereo Power Amplifier, 2 X 42 w
12 tubes: 12AX7 (6), 7581 or KT66 (4), 6U8 (3), 5AR4 (2).
Schematic
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SCOTT 299 A (1958-1960)
American manufacturing
Stereo Amplifier, 2 X 20 w.
Frequency Response: 20Hz to 30kHz,
THD: 0.8%.
Input: Phono MM: 3 mv
11 tubes: 7189 (4), 12AX7 (4), 6BL8 (2), 5AR4.
This is a complete stereo control and power center of unusual versatility. The dual 20 watts power stages provide ample reserve for any speaker requirements. Outstanding features include separate tone controls on each channel for accurate speaker balancing.
Schematic
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SCOTT 299 B (1960-1961)
American manufacturing
Stereo Integrated Amplifier, 2 X 21 w
11 tubes: 12AX7 (4), 6U8 or 6GH8 (2), 7189 (4), 5AR4.
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SCOTT 299 C (1961-1964)
American manufacturing
Stereo Integrated Amplifier, 2 X 31 w
11 tubes: 12AX7 (4), 6U8 or 7199 (2), 7591 (4), 5AR4.
Schematic
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SCOTT 299 D (1964-1966)
American manufacturing
Stereo Integrated Amplifier, 2 X 34 w
11 tubes: 12AX7 (4), 6U8 or 7199 (2), 7591 (4), 5AR4.
Schematic
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SCOTT 299 F (1967-1968)
American manufacturing
Stereo Amplifier (Transistors)
Frequency Response: 18Hz to 25kHz, 2 X 18 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB.
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SCOTT 300 A (1957-1959)
American manufacturing
AM-FM Tuner Mono
9 tubes: 6U8 (2), 6BE6, 6AU6 (3), 12AU7, 6BR5 or EM80, 6X4.
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SCOTT 310 A (1954-1957)
American manufacturing
FM Tuner Mono Broadcast Monitor.
10 tubes: 6BK7A or 6BS8 or 6BQ7A (1),
6U8, 6AU6 (4), 6X5GT, 6BN6, 12AU7 (2).
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SCOTT 310 B (1957-1958)
American manufacturing
FM Tuner Mono Broadcast Monitor.
10 tubes: 6BS8 or 6BQ7A (1), 6AU6 (4),
6U8, 12AX7, 6X4, 6BN6, 12AU7.
Designed for the perfectionist and true connoisseur, the 31OB is the most sensitive tuner it is possible to make at this stage of the art. It finds application in professional broadcast relay work, and in home listening where the absolute optimum in performance is required. Outstanding features include heavily silver-plated RF circuitry, professional illuminated signal strength meter and the interstation Noise Suppressor. HIGH FIDELITY Magazine says of this fine instrument: The 310 " ... is a tuner that seems as close to perfection as is practical at this time."
Operation Manual and Schematic
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SCOTT 310 C (1958-1960)
American manufacturing
FM Tuner Mono Broadcast Monitor.
FM Sensitivity IHF: 1.5 µv
Total Hum and Noise: 66dB
Harmonic Distortion on FM: 0.5%
10 tubes: 6BS8 or 6BQ7A (1), 6AU6 (4),
6U8, 12AX7, 6X4, 6BN6, 12AU7.
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SCOTT 310 CR (1959-1961)
American manufacturing
FM Tuner Mono Broadcast Monitor.
10 tubes: 6BS8 or 6BQ7A (1), 6AU6 (4),
6U8, 12AX7, 6X4, 6BN6, 12AU7.
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SCOTT 310 D (1960-1962)
American manufacturing
FM Tuner Mono Broadcast Monitor.
10 tubes: 6BS8 or 6BQ7A, 6AU6 (4),
6U8, 7247 or 12DW7, 6X4, 6BN6, 12AU7.
Service Manual
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SCOTT 310 E (1963-1964)
American manufacturing
FM Tuner Stereo MPX Broadcast Monitor.
15 tubes: 6BS8 or 6BQ7A (1), 6AU6 (4), 6U8 (2), 12AX7,
12AT7, 6V4, 6BN6, 12AU7 (2), 7247 or 12DW7 (2).
Schematic
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SCOTT 311 B (1956-1958)
American manufacturing
FM Tuner Mono.
7 tubes: 6BS8 or 6BQ7A, 6AU6 (3), 6U8, 6X4, 12AX7.
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SCOTT 311 C (1959-1960)
American manufacturing
FM Tuner Mono.
7 tubes: 6BS8 or 6BQ7A, 6AU6 (3), 6U8, 6X4, 12AX7.
Here is an outstanding FM tuner, incorporating all the benefits of H. H. Scott engineering leadership at a moderate price. The 311 C features wide-band design, a unique silver-plated RF section, and professional FM Tuner illuminated signal strength meter. AUDIO magazine said of the 311 "Hermon Hosmer Scott has always had a reputation for making fine products, and even though the 311 FM tuner is low priced ... it turns in a performance and quality report that is enviable."
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SCOTT 311 D (1960-1961)
American manufacturing
FM Tuner Mono.
FM Sensitivity IHF: 2.5 µv
Total Hum and Noise: 66dB
Harmonic Distortion on FM: 0.8%
7 tubes: 6BS8 or 6BQ7A, 6AU6 (3), 6U8, 6X4, 12AX7.
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SCOTT 312 (1964-1965)
American manufacturing
FM Tuner Stereo. (Transistors)
Tuning range FM: 88 to 108 Mhz.
Cross Modulation Rejection: 80 dB
FM Sensitivity IHF: 2.2 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 65 dB
Selectivity: 45 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
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SCOTT 312 D (1967-1968)
American manufacturing
FM Tuner Stereo. (Transistors)
Tuning range FM: 88 to 108 Mhz.
Cross Modulation Rejection: 90 dB
FM Sensitivity IHF: 1.7 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 65 dB
Selectivity: 45 dB
Stereo Separation: 40 dB
Capture Ratio: 1.9 dB
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SCOTT 314 (1961-1963)
American manufacturing
FM Tuner Mono.
7 tubes: 6BS8 or 6BQ7A, 6AU6 (2), 6U8 (2), 6X4, 6FG6 or EM84.
Mounting Change Instructions
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SCOTT 315 B (1967-1968)
American manufacturing
FM Tuner Stereo. (Transistors)
Tuning range FM: 87 to 109 Mhz.
Frequency Response: 50 to 15 Khz
Cross Modulation Rejection: 90 dB
FM Sensitivity IHF: 2.0 µv
Hum to Noise Ratio: 60 dB
Selectivity: 45 dB
Stereo Separation: 35 dB
Capture Ratio: 2.5 dB
Service Bulletin
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SCOTT 320 (1959-1960)
American manufacturing
AM-FM Tuner Mono.
FM Sensitivity IHF: 2.5 µv
Total Hum and Noise: 66dB
Harmonic Distortion on FM: 0.8%
11 tubes: 6BS8 or 6BQ7A, 6AU6 (3), 6U8A, 6X4,
12AU7, 6AL5, 6BA6, 6BE6, 6BR5 or EM80.
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SCOTT 330 A (1955-1956)
American manufacturing
AM-FM Tuner Mono, Simulcast Stereo.
12 tubes: 6BS8, 6AU6 (4), 6U8, 6X5,
12AU7 (2), 6AL5, 6BA6, 6BE6.
Schematic
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SCOTT 330 B (1957-1958)
American manufacturing
AM-FM Tuner Mono, Simulcast Stereo.
12 tubes: 6BS8, 6AU6 (4), 6U8, 6X4,
12AU7 (2), 6AL5, 6BA6, 6BE6.
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SCOTT 330 C (1959-1960)
American manufacturing
AM-FM Tuner Mono, Simulcast Stereo.
12 tubes: 6BS8, 6AU6 (4), 6U8, 6X4,
12AU7 (2), 6AL5, 6BA6, 6BE6.
The extremely wide-range AM section of the 330, plus a highly sensitive, drift-free, wide-band FM section make this the outstanding tuner for reception of AM-FM Stereophonic broadcasts. H. H. Scott's long experience in the design of stereo tuners assures uncompromising performance in AM and FM reception. Technical authorities have acclaimed this tuner as the finest available. For example, Audiocraft Magazine reports: " ... a very high quality FM tuner combined with an AM tuner which is easily the best we have heard." High Fidelity Magazine states "The cleanest and most transparent FM signals I have heard in a long time."
Schematic
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SCOTT 330 D (1960-1962)
American manufacturing
AM-FM Tuner Mono, Simulcast Stereo.
FM Sensitivity IHF: 2.5 µv
Total Hum and Noise: 66dB
Harmonic Distortion on FM: 0.8%
12 tubes: 6BS8, 6AU6 (4), 6U8, 6X4,
12AU7 (2), 6CN7, 6BA6, 6BE6.
Service Manual
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SCOTT 331 A (1956-1957)
American manufacturing
Preamplifier Mono - AM-FM Tuner Mono, Simulcast Stereo.
14 tubes: 6BS8, 6AU6 (4), 6U8, 6X5,
12AU7 (2), 12AX7 (2), 6AL5, 6BA6, 6BE6.
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SCOTT 331 B (1957-1958)
American manufacturing
Preamplifier Mono - AM-FM Tuner Mono, Simulcast Stereo.
14 tubes: 6BS8, 6AU6 (4), 6U8, 6X4 or 5X4,
12AU7 (2), 12AX7 (2), 6AL5, 6BA6, 6BE6.
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SCOTT 331 C (1959-1960)
American manufacturing
Preamplifier Mono - AM-FM Tuner Mono, Simulcast Stereo.
14 tubes: 6BS8, 6AU6 (4), 6U8, 6X4,
12AU7 (2), 12AX7 (2), 6AL5, 6BA6, 6BE6.
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SCOTT 333 (1962-1963)
American manufacturing
AM-FM Tuner MPX, Simulcast Stereo.
13 tubes: 6BS8 or 6BQ7, 6AU6 (3), 6U8, 6HS6,
12AT7, 12AU7 (2), 6BL8, 6BA6, 6BE6, 6AV6.
Schematic
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SCOTT 333 B (1964-1965)
American manufacturing
AM-FM Tuner MPX, Simulcast Stereo.
Tuning range FM: 88 to 108 Mhz.
Tuning range AM: 535 Khz to 1620 Khz.
Cross Modulation Rejection: 80 dB
FM Sensitivity IHF: 2.2 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
13 tubes: 6BS8 or 6BQ7, 6AU6 (3), 6U8, 6HS6,
12AT7, 12AU7 (2), 6BL8, 6BA6, 6BE6, 6AV6.
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SCOTT 335 (1961-1963)
American manufacturing
MPX Stereo Adaptator.
5 tubes: 6BL8, 12AT7, 12AU7 (2), 6X4.
Schematic
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SCOTT 340 A (1962-1963)
American manufacturing
Receiver Stereo FM MPX, 2 X 27 w.
20 tubes: 6BS8 or 6BQ7, 6AU6 (3), 6U8 or 6GH8 (2), 7591 (4),
12AX7 (4), 6U8A, 6BL8, 12AU7 (2), 5AR4 or GZ34 (2).
Schematic
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SCOTT 340 B (1963-1964)
American manufacturing
Receiver Stereo FM MPX, 2 X 30 w.
Tuning range FM: 88 to 108 Mhz.
Cross Modulation Rejection: 80 dB
FM Sensitivity IHF: 2.2 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
18 tubes: 6BS8 or 6BQ7, 6AU6 (2), 6U8 or 6GH8 (2), 7591 (4),
12AT7, 12AX7 (5), 6U8, 6HS6, 6KE8.
Schematic
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SCOTT 341 (1966-1967)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
FM Sensitivity IHF: 2.5 µv
Tuner Separation: 30 dB, Selectivity: 56 db.
Cross Modulation Rejection: 80 dB.
Frequency Response: 25Hz to 20kHz, 70 w 4 ohms, (IHF - 55 watts).
SNR: Phono MM: 55dB.
Input: Phono MM: 4 mv
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SCOTT 342 (1966-1967)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
FM Sensitivity IHF: 2.2 µv
Frequency Response: 18Hz to 25kHz, 2 X 18 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB, Aux: 80dB.
Input: Phono MM: 3 mv
Service Manual
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SCOTT 342 B (1967-1968)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
FM Sensitivity IHF: 2.0 µv
Frequency Response: 18Hz to 25kHz, 2 X 18 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB, Aux: 80dB.
Input: Phono MM: 3 mv
Service Manual
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SCOTT 344 B (1965-1966)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Usable sensitivity: 1.9 µV.
Power Rating: 2 X 40 w, 8 ohms.
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SCOTT 344 C (1967-1968)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Usable sensitivity: 1.9 µV.
Power Rating: 2 X 30 Watts - 8 ohms.
Harmonic distortion: 0.8%.
Frequency Response: 15 to 30 Khz -+ 1 dB.
Cross Modulation Rejection: 90 dB.
Selectivity: 46 dB - Tuner stereo separation: 36 dB.
Signal to Noise Ratio: 65 dB.
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SCOTT 345 (1964-1965)
American manufacturing
Receiver Stereo Tuner FM MPX, 2 X 29 w.
Tuning range FM: 88 to 108 Mhz.
Cross Modulation Rejection: 80 dB
FM Sensitivity IHF: 2.3 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
16 tubes: 12AX7 (3), 6D10 (2), 7591 (4) 6BS8,
6U8 (2), 6EJ7 (2), 6M11, 6HU6 or EM87.
Schematic
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SCOTT 348 (1965-1966)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
FM Sensitivity IHF: 1.9 µv
Frequency Response: 15Hz to 30kHz, 2 X 30 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB, Aux: 75dB.
Input: Phono MM: 3 mv
Schematic
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SCOTT 348 B (1967-1968)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
FM Sensitivity IHF: 1.7 µv +/- 1dB
Cross Modulation Rejection: 90
Selectivity; 46 dB
Tuner Stereo Separation: 40 dB
Capture Ratio: 1.9
Frequency Response: 15Hz to 30kHz, 2 X 40 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB.
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SCOTT 350 B (1962-1963)
American manufacturing
Stereo Tuner FM MPX.
9 tubes: 6BS8 or 6BQ7, 6U8, 6AU6 (3), 6BL8, 12AU7 (2), 12AT7.
Schematic
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SCOTT 350 C (1963-1964)
American manufacturing
Stereo Tuner FM MPX.
9 tubes: 6BS8 or 6BQ7, 6AU6, 6U8 (2), 6EJ7 or EF184,
6BL8, 12AU7 (2), 12AT7.
Schematic
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SCOTT 350 D (1964-1967)
American manufacturing
Stereo Tuner FM MPX.
Tuning range FM: 88 to 108 Mhz.
Cross Modulation Rejection: 80 dB
FM Sensitivity IHF: 2.3 µv
Cross Modulation Rejection: 80 dB
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
9 tubes: 6BS8, 6U8 (2), 6EJ7, 6HS6, 12AT7, 6KE8, 12AX7, 6HU6 or EM87.
Schematic
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SCOTT 355 (1961-1964)
American manufacturing
Stereo Tuner Preamplifier FM MPX.
18 tubes: 12AX7 (4), 12AU7 (3), 6CA4, 6BS8 or 6BQ7,
6U8A, 6AU6 (3), 6AV6 or 6GX8, 6BL8, 12AT7, 6BA6, 6BE6.
Schematic
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SCOTT 357 B (1967-1968)
American manufacturing
Receiver Stereo AM FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Tuning range AM: 550 Khz to 1605 Khz.
FM Sensitivity IHF: 2.0 µv
Frequency Response: 18Hz to 25kHz, 2 X 18 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB.
Input: Phono MM: 3 mv
Service Manual
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SCOTT 370 (1962-1963)
American manufacturing
Stereo Tuner FM MPX.
7 tubes: 6M11, 6AU6 (2), 6HS6, 6HU6 or EM87, 6AG11, 6X4.
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SCOTT 370 B (1963-1965)
American manufacturing
Stereo Tuner FM MPX.
Tuning range FM: 88 to 108 Mhz.
Cross Modulation Rejection: 75 dB
FM Sensitivity IHF: 3.5 µv
Cross Modulation Rejection: 75 dB
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: less than 1
Hum to Noise Ratio: 50 dB
Selectivity: 32 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
7 tubes: 6M11, 6AU6 (2), 6HS6, 6HU6 or EM87, 6AG11, 6X4.
Schematic
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SCOTT 380 (1963-1965)
American manufacturing
Stereo Receiver AM-FM MPX, 2 X 32 w (MPX 3 Tubes).
Tuning range FM: 88 to 108 Mhz.
Tuning range AM: 535 Khz to 1620 Khz.
FM Sensitivity IHF: 2.2 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
21 tubes: 12AX7 (4), 6U8 or 6GH8, (2), 7591 (4), 6BS8 or 6BQ7,
6BA6, 6BE6, 6U8, 6HS6 (2), 6AU6, 6AV6, 6KE8, 12AX7, 12AT7.
Schematic
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SCOTT 380 (1963-1965)
American manufacturing
Stereo Receiver AM-FM MPX, 2 X 32 w (MPX 4 Tubes).
Tuning range FM: 88 to 108 Mhz.
Tuning range AM: 535 Khz to 1620 Khz.
Cross Modulation Rejection: 80 dB
FM Sensitivity IHF: 2.2 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
22 tubes: 12AX7 (4), 6U8 or 6GH8, (2), 7591 (4), 6BS8 or 6BQ7,
6BA6, 6BE6, 6U8, 6HS6 (2), 6AU6, 6AV6, 6BL8, 12AU7 (3).
Schematic
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SCOTT 382 B (1967-1968)
American manufacturing
Receiver Stereo AM FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Tuning range AM: 535 Khz to 1620 Khz.
FM Sensitivity IHF: 2.0 µv
Frequency Response: 18Hz to 25kHz, 2 X 18 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB, Aux: 80dB.
Input: Phono MM: 3 mv
Service Manual
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SCOTT 382 C (1969-1970)
American manufacturing
Receiver Stereo FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Tuning range AM: 535 Khz to 1620 Khz.
FM Sensitivity IHF: 2.0 µv
Frequency Response: 18Hz to 25kHz, 2 X 30 w, 8 ohms.
THD: 0.6%, SNR: Phono MM: 55dB, Aux: 75dB.
Input: Phono MM: 2.8 mv
Service Manual
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SCOTT 384 (1967-1968)
American manufacturing
Receiver Stereo AM FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Tuning range AM: 535 Khz to 1620 Khz.
Usable sensitivity: 1.9 µV.
Power Rating: 2 X 30 Watts - 8 ohms.
Harmonic distortion: 0.8%.
Frequency Response: 15 to 30 Khz -+ 1 dB.
Cross Modulation Rejection: 90 dB.
Selectivity: 46 dB - Tuner stereo separation: 36 dB.
Signal to Noise Ratio: 65 dB.
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SCOTT 386 (1969-1970)
American manufacturing
Receiver Stereo AM FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Tuning range AM: 535 Khz to 1620 Khz.
Usable sensitivity: 1.9 µV.
Power Rating: 2 X 35 Watts - 8 ohms.
Power Rating: 2 X 42 Watts - 4 ohms.
Harmonic distortion: 0.8%.
Frequency Response: 20 to 22 Khz -+ 1 dB.
Cross Modulation Rejection: 80 dB.
Selectivity: 40 dB - Tuner stereo separation: 40 dB.
Signal to Noise Ratio - Phono: 65 dB.
Capture Ratio: 2.5 dB - Phono sensitivity: 3, 6 mV
Dimensions: 400 X 140 X 355 mm
Weight: 9,8 Kg
Brochure
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SCOTT 388 B (1967-1968)
American manufacturing
Receiver Stereo AM FM (Transistors)
Tuning range FM: 88 to 108 Mhz
Tuning range AM: 535 Khz to 1620 Khz.
FM Sensitivity IHF: 1.7 µv +/- 1dB
Cross Modulation Rejection: 90
Selectivity; 46 dB
Tuner Stereo Separation: 40 dB
Capture Ratio: 1.9
Frequency Response: 15Hz to 30kHz, 2 X 40 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 55dB.
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SCOTT 399 (1960-1962)
American manufacturing
Stereo Receiver MONO Simulcast Stereo, 2 X 20 w.
FM Sensitivity IHF: 2.5 µv
Frequency Response: 20Hz to 30kHz,
THD: 0.8%, SNR: 65 dB.
Input: Phono MM: 3 mv
23 tubes: 12AX7 (4), 6U8 or 6GH8, (2), 7591 (4), 6BS8 or 6BQ7,
6BA6, 6BE6, 6U8, 6HS6 (2), 6AU6, 6AV6, 6KE8, 12AX7.
Schematic
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SCOTT 2001
American manufacturing
Stereo Receiver Tubes and Transistors.
18 tubes: 6BL8 (2), 12AU7 (4), 6HS6 (2), 6AU6 (1),
6U8 (1), 6BE6 (1), 6BA6 (1), 6BS8 (1), 12AX7 (5).
Schematic
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SCOTT 2002
American manufacturing
Stereo Receiver Tubes and Transistors.
18 tubes: 6BL8 (2), 12AU7 (4), 6HS6 (2), 6AU6 (1),
6U8 (1), 6BE6 (1), 6BA6 (1), 6BS8 (1), 12AX7 (5).
Schematic
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SCOTT 2003
American manufacturing
Stereo Receiver Tubes and Transistors.
18 tubes: 6BL8 (2), 12AU7 (4), 6HS6 (2), 6AU6 (1),
6U8 (1), 6BE6 (1), 6BA6 (1), 6BS8 (1), 12AX7 (5).
Schematic
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SCOTT 2506 & 2507 (1969-1970)
American manufacturing
Stereo Compact Transistors. (Turtable, Amplifier, Tuner)
Service Manual
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SCOTT 3003 (1969-1970)
American manufacturing
Receiver Stereo AM-FM (Transistors)
Tuning range FM: 88 to 108 Mhz, AM: 535 Khz to 1620 Khz.
FM Sensitivity IHF: 1.8 µv
Frequency Response: 20Hz to 30kHz, 2 X 33 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 60dB, Aux: 70dB.
Input: Phono MM: 3 mv
Operation-Manual
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SCOTT 3300 (1969-1970)
American manufacturing
Receiver Stereo AM-FM (Transistors)
Tuning range FM: 88 to 108 Mhz.
Tuning range AM: 535 Khz to 1620 Khz.
FM Sensitivity IHF: 1.8 µv
Frequency Response: 20Hz to 30kHz, 2 X 33 w, 8 ohms.
THD: 0.8%, SNR: Phono MM: 60dB, Aux: 70dB.
Input: Phono MM: 3 mv
Brochure
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SCOTT 4310 (1963-1965)
American manufacturing
Broadcast Monitor FM-MPX Stereo Tuner.
20 tubes: 6AU6 (4), 12AU7 (2), 7247 or 12DW7 (4), 6BS8,
6JU8 (2), 6BL8, 6T8 (2), 12BH7, 6BN6, 6AL5, 6U8.
Schematic
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SCOTT 4312 (1964-1965)
American manufacturing
Stereo Tuner Tubes and Transistors.
Tuning range FM: 88 to 108 Mhz.
Tuning range AM: 535 Khz to 1620 Khz.
Cross Modulation Rejection: 85 dB
FM Sensitivity IHF: 1.9 µv
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.5%
Hum to Noise Ratio: 65 dB
Selectivity: 35 dB
Stereo Separation: 35 dB
Capture Ratio: 2.2 dB
4 tubes: V201 (6DS4), V202 (6DS4), V203 (6CW4), V204 (6CW4).
+ Transistors.
Schematic
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SCOTT LC 21 (1961-1963)
American manufacturing
Stereo Preamplifier (kit)
7 tubes: 12AX7 (6), 6X4.
Schematic
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SCOTT LK 30 (1962-1965)
American manufacturing
Stereo Integrated Amplifier, 2 X 12 w. (kit)
8 tubes: 12AX7 (3), 6GW8 or ECL86 (4), 5AR4 or GZ34.
Schematic
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SCOTT LK 48 (1961-1963)
American manufacturing
Stereo Integrated Amplifier, 2 X 20 w. (kit)
11 tubes: 12AX7 (4), 7189 (4) 5AR4 or GZ34, 6U8 or 6GH8 (2).
This deluxe Scott amplifier kit has more than enough power for the majority of music systems. Each of its rugged 24 watt output stages are measured to strict IHFM standards. They will deliver rated power down to 20 cps. Actually the LK-48 will deliver 28 watts (IHFM) per channel at 20 cps.
Schematic
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SCOTT LK 48 B (1963-1965)
American manufacturing
Stereo Integrated Amplifier, 2 X 20 w. (kit)
11 tubes: 12AX7 (4), 7189 (4) 5AR4 or GZ34, 6U8 or 6GH8 (2).
Schematic
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SCOTT LK 60 (1968-1969)
American manufacturing
Stereo Integrated Amplifier, 2 X 40 w - 8 ohms. (kit)
Frequency response: 20Hz to 20kHz
Harmonic at rated output: 0.6%
Signal to Noise Ratio: 55 dB Phono, 75 dB Aux.
Damping Factor: 20 - 8 ohms.
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SCOTT LK 60 B (1968-1969)
American manufacturing
Stereo Integrated Amplifier, 2 X 60 w - 4 ohms. (kit)
Frequency response: 15Hz to 30kHz
Harmonic at rated output: 0.8%
Signal to Noise Ratio: 55 dB.
Dimensions: 381 X 111 x 317 mm
Weight: 9.5 Kg
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SCOTT LK 72 (1960-1963)
American manufacturing
Stereo Integrated Amplifier, 2 X 35 w. (kit)
11 tubes: 12AX7 (4), 7591 (4) 5AR4 or GZ34, 6U8 or 6GH8 (2).
The LK-72 offers the finest performance and greatest reliability of any integrated stereo amplifier kit available. Since its introduction the superb performance of the LK-72 has been acclaimed by electronic experts and thousands of enthusiastic kit builders . . . many had never built a kit before!
Schematic
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SCOTT LK 72 B (1963-1966)
American manufacturing
Stereo Integrated Amplifier, 2 X 35 w. (kit)
11 tubes: 12AX7 (4), 7591 (4) 5AR4 or GZ34, 6U8 or 6GH8 (2).
Schematic
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SCOTT LK 150 (1961-1964)
American manufacturing
Stereo Power Amplifier, 2 X 35 w. (kit)
8 tubes: 5AR4 (2), 6550 (4), 7199 (2).
LK-150 130-watt Stereo Power Amplifier. The mighty LK-150 is the ultimate power amplifier. Rated at 65 watts (IHFM) per channel, it will bring out details in your favorite program material that you never knew existed. Whether played at a whisper or a roar, the LK-150 will be a revelation to even the most experienced music lover.
Schematic
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SCOTT LM 35 (1962-1964)
American manufacturing
FM MPX Stereo Adaptator. (kit)
5 tubes: 6BL8, 12AU7 (2) 12AT7, 6X4.
LM-35 Wide-Band Multiplex Adaptor. This is the kit version of H. H. Scott's famous 335 multiplex adaptor. It includes exclusive H. H. Scott "time-switching" circuitry. Multiplex section comes pre-wired and pre-aligned. The kit builder need assemble just the power supply and the controls which should take only about 4 hours.
Assembly Manual
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SCOTT LR 88 (1969-1970)
American manufacturing
LR 88 SOLID STATE AM/FM STEREO RECEIVER KIT.
Receiver Stereo AM FM (Transistors)
Tuning range FM: 88 to 108 Mhz
FM Sensitivity IHF: 1.9 µv
Frequency Response: 15Hz to 30kHz, 2 X 32 w, 8 ohms.
THD: 0.8%, Signal to Noise Ratio: 65dB.
Dimensions: 406 X 140 x 444 mm
Weight: 12.7 Kg
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SCOTT LT 10 (1961-1963)
American manufacturing
FM Tuner (mono). (kit)
6 tubes: 6U8 (2), 6AU6 (2), 6X4, 6BS8 or 6BQ7A.
LT-10 Wide-Band FM Tuner. The LT10 revolutionized kit building by making it possible for the novice to build a professional tuner without previous kit-building experience. Electronics Illustrated (Nov 1961) said " ... a remarkable combination of simplicity and excellent performance. . . ."
Assembly Manual
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SCOTT LT 110 (1962-1963)
American manufacturing
FM MPX tereo Tuner. (kit)
10 tubes: 6U8, 6AU6 (3), 6X4, 6BS8 or 6BQ7A, 6BL8, 12AT7, 12AU7 (2).
LT110 FM Stereo (Multiplex) Tuner. Now you can build your own H. H. Scott Wide-Band Multiplex Tuner for flawless reception of new FM Stereo broadcasts. H. H. Scott tuners are used for off-the-air monitoring by virtually every FM Multiplex station in both the United States and Canada.
Schematics
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SCOTT LT 110 B (1963-1967)
American manufacturing
FM MPX tereo Tuner. (kit)
Tuning range FM: 88 to 108 Mhz.
FM Sensitivity IHF: 2.2 µv
Cross Modulation Rejection: 80 dB
Frequency Response: 30Hz to 15kHz.
Harmonic Distortion: 0.8%
Hum to Noise Ratio: 60 dB
Selectivity: 35 dB
Stereo Separation: 30 dB
Capture Ratio: 6 dB
9 tubes: 6U8, 6AU6 (3),6BS8 or 6BQ7A, 6BL8, 12AT7, 12AU7 (2).
Schematic
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SCOTT LT 111 (1964-1965)
American manufacturing
FM MPX tereo Tuner. (kit)
7 tubes: 6M11, 6AU6 (2), 6X4, 6HS6, 6HU6, 6AG11.
Operation Manual
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SCOTT LT 112B (1967-1968)
American manufacturing
Solid State FM stereo Tuner. (kit)
FET Front End, Dynaural Muting Control, Stereo Indicator Light.
A superb tuner In easy to build Kit form, Learn as you build manual contains full color wiring diagrams, mistake proof double check instructions and theory of operation. Finished product is a fine performer featuring the famous Scott silver plated FET front end for maximum sensitivity and low distortion, has four position meter selector switch for signal strength, multipath center frequency tuning and alignment, and stereo indicator light for positive identification of stereo broadcasts. Dynaural muting control virtually eliminates interstation static.
Frequency Response: 15 to 30 Khz
Usable sensitivity: 1.6 µv.
Signal to noise ratio: 65 dB.
Cross modulation rejection: 90 dB
Dimensions: 381 X 111 X 333 mm
Weight: 5.9 Kg
Transistors: 2N3702, 2N3964, S1990, 2N3705,
SE1001, 2N2926, 2N3708, 2N3705.
Diodes: D-GM3, DSI-1, SR-1-5.
Schematic
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